Fresh off its survey of Faith Ringgold, the New Museum presents a retrospective of another veteran African American painter whose aesthetic DNA courses through subsequent generations of black artists. “Art and Race Matters: The Career of Robert Colescott” is the artist’s first museum outing since 1989.
Art News
A new self-portrait from Vincent Van Gogh has recently been detected, hidden under layers of glue and cardboard, by the National Galleries of Scotland (NGS). Officials are confident, though not certain, that the painting is a hitherto unknown work of art.
The recent publication Archive of the World: Art and Imagination in Spanish America, 1500–1800, a companion catalogue for a show of the same name and the first comprehensive study of LACMA's notable holdings of Spanish American art, is a remarkable and important piece of work.
Linda Nochlin caused a stir when she published, "Why Have There Been No Great Women Artists?" in 1971. Turning the conventional wisdom of the title on its head, she clarifies that there have always been great women artists, they've just been written out of the record by men.
Live fast, die young, and leave a beautiful corpse: That’s often been the ticket to artistic immortality, even while coming at considerable cost. Such was the case for Jean-Michel Basquiat (1960–1988), who passed away from a drug overdose at twenty-seven.
An interior view of Matisse’s atelier in the Parisian suburb of Issy-les-Moulineaux, "The Red Studio" (1911) serves as the centerpiece for an impressive feat of scholarship that gathers photographs, documents, and ephemera related to the painting’s creation, along with a video on its conservation.
Silenced by the pandemic last year, The Whitney Biennial returns with an exhibition appropriately named Quiet as It’s Kept. The title seems intended to acknowledge an art world suffering from its own version of long Covid after the lockdown blew a gaping hole in the zeitgeist.
The much anticipated, yet long-delayed, Whitney Biennial 2022: Quiet as It’s Kept opened on April 6 and will continue through September 5. Over the years, the show has become one of those signature events that serve as a touchstone in American artists’ careers. Simultaneously, it has been at the center of many a controversy.
It’s not uncommon to hear the Wagner Free Institute of Science referred to as a “hidden gem of Philadelphia.” But what makes this nearly two-century-old museum so special is more than its discreet location, tucked amidst the rowhomes of North Central Philadelphia.
Exclusively curated by museum security guards, Guarding the Art features nearly thirty works of art handpicked from the Baltimore Museum of Art collection.
