Pittsburgh-based visual and performance artist Vanessa German, known for her activism as well sculptures incorporating found objects and female figurines, considers the experience of a vulnerable, underserved, and criminalized segment of America in the exhibition, Things Are Not Always What They Seem: A Phenomenology of Black Girlhood.
Art News
A new retrospective of painter Liu Shuishi is christening Chase Contemporary’s new gallery space in New York City. The first retrospective of his fifteen-year career, the exhibition collects a large body of Shuishi’s work. Shuishi believes thought is the carrier of art, and his paintings are meditations on the isolation and instability of contemporary life. Influenced by German and Abstract Expressionism and traditional Chinese calligraphy, his brushstrokes are bold and gestural.
Toyin Ojih Odutola has spent three years and four exhibitions telling the story of TH Lord Temitope Omodele and TMH Lord Jideofor Emeka. Now in a fifth exhibition, opening this week at Jack Shainman Gallery in New York, Ojih Odutola concludes her visual drama.
Robert Townsend’s new solo exhibition, Wanderlust, is now at Altamira Fine Art, in Jackson, Wyoming. Los Angeles-based photorealist painter Robert Townsend is known for his boldly colored paintings of Americana. Wanderlust explores the life and times of his 1960’s muse, Helen, featuring new large-scale oils and watercolors.
Aicon Gallery in New York is showcasing the work of New Delhi-based Shobha Broota. An educator and award-winning artist, Broota has had a 60-year career exhibiting internationally. Resonance is her first solo show in New York. The exhibition includes work from the past decade, representing two types of abstractions the artist has explored.
In conjunction with the Denver Art Museum exhibition, New Territory: Landscape Photography Today, Robischon Gallery presents Gary Emrich: All Consumed. Work from this series is featured in New Territory, which explores unconventional contemporary landscape photography from around the world. For All Consumed, Emrich combines artist-generated and appropriated imagery to create distorted yet familiar landscapes.
On June 29, the collaborative project Condo, which invites galleries to stage exhibitions outside their home city, opened its second New York iteration. Founded in London in 2016, Condo has since expanded to host cities across the world, including Mexico City, Shanghai, and São Paulo. This year’s New York roster of 47 galleries across 21 spaces is similarly international, engaging participants from Cairo to Dubai to Auckland with particularly robust domestic and Western European representation.
On July 10th, Fred Wilson: Afro Kismet opened at Pace Gallery, New York after a four week run at Pace London this past Spring. Wilson was catapulted into notoriety with his revolutionary Mining the Museum exhibition (1992), a storage raid-cum-excavation that destabilized the politics of display at the Maryland Historical Society.
"Heliotrope," showcasing new work by Pard Morrison, is now at San Francisco’s Brian Gross Fine Art. This is Morrison’s fourth solo show at the venue. Featuring three monolithic, freestanding sculptures, multi-colored paintings and a number of smaller wall-mounted sculpture, Heliotrope is a study in brightly colored geometric patterns.
An innovative photography exhibition at New York’s Waterhouse & Dodds Gallery, Kim Keever: Water Colors showcases the artist’s first series of completely abstract explorations of color in motion. Keever’s earlier photographs involved intricately constructed miniature landscapes that he photographed submerged in a 200-gallon water tank. Lit with colored lights and using dispersed pigment for cloud effects, Keever created dramatic foreign landscapes. Intrigued by the dispersal patterns, Keever began focusing solely on photographing the colors moving through water.
